The song "Pygmalion" by Cassandra Jenkins is open to interpretation, as it contains abstract lyrics and metaphorical references. However, here is a possible explanation for the meaning and story behind the song: The song seems to be addressing someone who speaks negatively about the singer behind their back but lacks the courage to say it directly to their face. The singer challenges this person to confront them directly instead of hiding behind gossip. The repeated phrase, "My pretty face," could suggest that the singer is confident and unafraid of confrontation. The lyrics mention a certain look in the person's eyes that implies they enjoy causing emotional turmoil or pain to the singer. This line suggests that the singer is aware of the manipulative intentions and emotional impact the person has on them. The following lines, "Bury the fury in your fists, Chiseled in my breast," might symbolize the emotional pain inflicted by this person. It could imply that their words and actions are cutting deep into the singer's soul. The use of the metaphorical language portrays the emotional weight that the singer carries due to this toxic relationship. The lyrics then mention "Pygmalion," referencing the Greek mythological figure. Pygmalion was a sculptor who fell in love with his own creation, a statue named Galatea. In the song, "Go on, Pygmalion" could be interpreted as an invitation for the person to continue their destructive behavior. By referencing this myth, the singer might be suggesting that the person is trying to exert control and manipulate them as if they were a creation. The repeated phrase, "I see it for what it is," emphasizes the singer's awareness and understanding of the situation. It suggests that they are not fooled by the person's actions and intentions. Overall, "Pygmalion" is a song that explores themes of emotional manipulation, confrontation, and self-awareness. It portrays the singer's desire for honesty and direct communication while acknowledging the pain caused by the other person's behavior.
