This song "Johnny, El Babalao" by Frank Delgado is a satirical commentary on the commercialization and modernization of Afro-Cuban religious practices, particularly Santería. The lyrics describe Johnny, a Babalao (a high priest in Santería) who has adapted to the modern world, using air conditioning in his consultation room and a computer to cast the Diloggún (a form of divination). Johnny is depicted as a figure who combines traditional beliefs and practices with modern technology and consumerism. He has a N'ganga (a ritual cauldron) made of Teflon, uses a microwave oven for rituals, and even blends Cuban music with classical music like Beethoven. The song also touches on the changing economic landscape in Cuba, with references to the U.J.C (Union of Communist Youth) and inflation affecting the cost of Ocha ceremonies. Johnny, who was once a spiritual guide, now has to navigate the complexities of a capitalist economy and adapt his practices accordingly. Overall, the song highlights the complexities and contradictions in the modern world, where tradition and spirituality clash with commercialism and materialism. Johnny represents the struggle to maintain cultural heritage and identity in a changing society.
