The song "Now That You're Dead" by The Used explores themes of obsession, death, and the dark allure of forbidden desires. It portrays the perspective of an individual who becomes infatuated with the idea of someone dying and their subsequent fascination with their corpse. The lyrics begin by describing a surreal experience where the narrator feels as if they are floating away from their own body, indicating a detachment from reality. They express a twisted pleasure in witnessing the person's demise, wanting to make sure they are truly deceased by closely observing them. The person's appearance is described as pleasant and attractive, which adds to the narrator's morbid fascination with death. The chorus reflects the contradictory emotions and sensations that the narrator experiences. They acknowledge the wrongness of their feelings but cannot deny the thrill they derive from the person's demise. This juxtaposition suggests a perverse pleasure in their obsession. The second verse intensifies the fixation on the person's dead body. The narrator references the coldness of their skin and steals a kiss to confirm their lack of life. They mention putting the person in a "pretty cage" and writing unspecified words on their grave, highlighting a desire for possession and control even after death. The chorus repeats, emphasizing the conflicting emotions surrounding the narrator's dark desires. The bridge section addresses the narrator's long-awaited anticipation for the person's death and their eventual fading away. The repetition of this section reflects the intensification of the obsession. The song concludes with a repeated chorus, accentuating the twisted pleasure the narrator experiences now that the person is deceased. The mention of Jesus Christ suggests a contrast between societal expectations of mourning and the narrator's fascination with death, implying that their desires are not aligned with traditional morals. Overall, "Now That You're Dead" delves into the disturbing mindset of someone who finds allure and gratification in the morbidity of death. It evokes a sense of unease and shines a spotlight on the often taboo aspects of human fascination with the macabre.
