The song "Ocean" by Unprocessed tells the story of someone seeking solace and refuge in the vastness of the ocean. The lyrics depict a person who feels lost and broken, comparing themselves to a sinking ship that shatters upon the waves. Despite this, the ocean serves as a source of comfort and escape. The opening lines convey a sense of longing for home and relief after enduring a difficult journey. The sand on the protagonist's feet symbolizes familiarity and a sense of belonging. The waves of the ocean both calm and awaken them, suggesting a love-hate relationship with their surroundings. Continuing with the sinking ship metaphor, the lyrics describe the lack of attention or help from others, illustrated as no one "sensing smoke signals." The sinking ship represents the protagonist's inner turmoil and struggles, which seem to go unnoticed by those around them. The second half of the song shifts the perspective to focus on the beauty and tranquility of the ocean. The clear air and vibrant life it offers provide a stark contrast to the protagonist's inner turmoil. The waves and the dunes are seen as sources of shelter and protection from the harshness of the world. The chorus serves as a plea to the ocean, calling it the protagonist's only hope and salvation. The person compares themselves to a boy without a gun, emphasizing their vulnerability and desire for safety. The ocean's ever-changing tides represent the unpredictability of life and the need for the protagonist to adapt and embrace change. The song concludes with the protagonist acknowledging their longing for escape and the need to run away from their problems. They view the ocean as a place where they can find peace and clarity. The repetition of the line "Catch my glance I'm 'bout to run" further emphasizes their desire to escape and start anew. Overall, "Ocean" by Unprocessed explores themes of vulnerability, escape, and the search for solace amidst personal struggles. It conveys a yearning for a place where one can find refuge and a sense of belonging.
