The song "İyi Ya Da Kötü" by Hi̇dra is a rap song in Turkish. It is a collaboration between Hi̇dra, Joker, Hidra, and Ferzan. The lyrics address various themes such as the struggles of life, the challenges faced in the music industry, and the need for self-expression. The song starts by mentioning two cities in Turkey, Ankara and Eskişehir, and introduces the beat produced by Ferzan. The artists then mention Joker and Hidra, possibly referring to themselves. The lyrics emphasize the importance of listening and understanding oneself. They mention the lack of joy and happiness in life and being labeled as a follower or a sycophant. The artists bring up their experiences with criticism and being called opportunistic when they release diss tracks. The chorus of the song highlights the artists' identity in the music industry. They state that they are not the good or bad sides of music, but rather the consequences for those who cross the line. They urge people to judge them based on their actions and not rely on rumors or mudslinging. They also mention their names being like an identification card. The verses touch on various subjects, including personal struggles and hardships. They talk about facing difficulties and being kicked out of homes at a young age. They criticize the prevalence of enemies rather than allies in their surroundings and the superficiality and shallow nature of online politics. The lyrics also mention how the younger generation only remembers important figures like Atatürk on specific occasions. The artists express their indifference towards others' opinions and identities. They mock individuals who have acne on their faces, comparing them to adolescents. They mention people who fear the Ottoman Empire and metaphorically describe them as building a wall. They question the presence of these individuals in the streets of Eskişehir at night. The lyrics further criticize societal values, mentioning the enjoyment of alcohol and the careless usage of contraceptives. They address the lack of moral values and the ability to send messages without looking at the phone or using both hands. They mention the lack of consequences for foolish acts and their own talent being recognized. In the final verses, they state that they are not the good or bad sides of music but the consequences for those who cross the line. They emphasize that their names will always be associated with their actions, and people can throw mud, but the evidence will remain. They assert their role as the key to locked doors and urge others to know them as they truly are.
