"Devilish" by Jean Dawson explores themes of inner darkness, identity, and the fear of becoming a monster. The song tells the story of a young man who feels trapped by his own thoughts and experiences. He compares himself to his father, who was involved in criminal activities, and admits to having a dark side of his own. The lyrics describe a sense of discomfort with fame and attention ("I don't like all the bright lights") and a tendency to act impulsively and lose control ("Like my dad's hand when I lose my shit"). The protagonist embraces his inner "monster" and revels in the fear he can instill in others ("The monster underneath your bed / Nigga, that's me"). He sees himself as a shadow lurking in the darkness, someone to be feared ("The shadow on the other side of the room"). The chorus introduces another character, a "big man with the big heart" who appears to have it all but is also dead inside. This character represents a hollow and unfulfilled existence, seeking happiness and satisfaction through material possessions and societal success but ultimately lacking true emotional connection or purpose. The protagonist refers to this character as a "monster in the room" and claims to know their true nature, identifying them as superficial and deceitful ("I know all of you with the crooked eye"). The song highlights the contrast between external appearances and internal realities, suggesting that even those who seem powerful or successful may be hiding their own darkness and insecurities ("You a big man in a sports car / You a big man, you got no heart"). The bridge of the song emphasizes the intensity of the protagonist's emotions, describing them as a "sick pup" with a desire to confront and take from the perceived "businessman." There is a sense of rebellion and a refusal to conform to societal norms or expectations. Throughout the song, the lyrics imply a sense of self-awareness and acceptance of one's flaws and inner demons. Jean Dawson explores the idea that everyone has a dark side and that our true selves may be hidden beneath the surface. "Devilish" encourages embracing and confronting these aspects rather than suppressing or denying them.
