Elvis Costello's song "Little Palaces" presents a vivid portrayal of societal issues and the decay of traditional values in what he refers to as "Chocolate Town." The lyrics describe a town where all the trains are painted brown, symbolizing a somber atmosphere. The silver paper on chocolate wrappers represents a superficial facade that covers up the dark realities of the town. The central figure in the song is a "dapper little man" with a wax mustache, which he twists with nicotine-stained fingers. This character represents the manipulative and corrupt elements within the town. His presence is juxtaposed with the image of a rat in someone's bedroom and the act of shutting someone's trap, suggesting secrets and oppression. The song also addresses the demolition of "little palaces," which can be interpreted as a metaphor for dismantling the hopes and dreams of ordinary people. There is a sense of constant change and instability, as the doors swing back and forth from the past to the present, and the crucifixion imagery implies a loss of faith and values. Another theme that emerges is the displacement of families, as problem families from the South are moved to the North. The emotional impact of this disruption is highlighted through a mother's tears over a soap opera divorce. The lyrics reflect a sense of societal disarray and the consequential harm inflicted on individuals. The song suggests that the children inherit the pain and troubles of their parents, as evidenced by the line "You knock the kids about a bit, because they've got your name." This cycle of abuse perpetuates the damage done to future generations. Overall, "Little Palaces" critiques the decay of once-respected values, the manipulation and corruption within society, and the resulting impact on individuals and families. Costello's lyrics confront these issues with a mix of cynicism, despair, and a call to action to recognize and challenge the destructive forces at play.