The song "I Want To Vanish" by Elvis Costello and The Attractions is a melancholic and introspective track about the desire to disappear or escape from the pressures and expectations of life. The lyrics express a longing to be free from the constraints of society and to find a place where one can't be easily found or captured. The opening lines convey the singer's utmost desire to vanish completely. They yearn to be in a place where they won't be merely seen as a spectacle or object to be observed and admired. The mention of being laid on a "decorated dish" perhaps suggests being displayed or exhibited for others' enjoyment. Despite acknowledging the potential allure of a glamorous existence, the singer realizes that surrendering oneself to that fate is not something they are willing to do. However, by the time they come to this realization, it is too late to escape the situation they find themselves in. The chorus refers to the act of arranging mirrors and spools, possibly alluding to the manipulations and deceptions involved in trapping someone for their supposed worth. The metaphorical "precious jewels" could represent the singer's unique qualities or talents that others want to exploit, even if they are not genuine or valuable, like paste instead of real gems. The song continues with a sense of resignation and frustration. The singer expresses their difficulty in communicating their true worth and uniqueness to others, feeling like a lost dog pondering a signpost. This line suggests a sense of confusion and isolation, searching for guidance but finding none. In the end, the chorus is repeated, emphasizing the desire to vanish as a final request. The singer believes they have revealed the painful truth about themselves and their situation and now longs for rest or respite from it all. Overall, "I Want To Vanish" explores themes of self-identity, societal pressures, and the longing for escape. It portrays a sense of not fitting in and a desire to find solace away from the expectations and illusions of the world.
